![]() Whilst Vladimir and Estragon’s conversations and Pozzo and Lucky’s interference take place, Beckett portrays the absurdity of human codependency, particularly how, if not properly guided, healthy interdependence can lead to codependency. ![]() Pozzo is an unknown individual and Lucky is his slave. ![]() During their alienating wait, they engage in conversation throughout the entire play, as well as two other characters interfering twice within the two acts, Pozzo and Lucky. In Waiting for Godot, there are two men-Vladimir and Estragon-who are simply waiting for a man named Godot. In the Theatre of the Absurd, there is no knowledge given to the situation the story begins with. The use of the genre uses absurd, or bizarre, plots and settings. ![]() Theatre of the Absurd primarily arose after World War II and mostly flourished in Paris. Samuel Beckett’s Waiting for Godot is a play in two acts written in the genre called Theatre of the Absurd. ![]()
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